Bio & CV

I’m a collage artist from New York who uses technology to make art. Like sampling music in the production of Hip-Hop and techniques used in advertising–I use technological tools to capture, draw, design, and produce visual art. In my process, I sample historical content and couple them with my experiences. I employ a freewheeling cut-and-paste aesthetic and rework them into a visual narrative that investigates what I perceive in Western culture.

Education
M.F.A. Hunter College, NY
B.A. The City College, NY

Selected Exhibitions
2024 Cut and Paste: The Art of Collage, Conversations With Artists, Online Gallery
2023 Can’t Stop, Won’t Stop: Celebrating 50 Years of Hip Hop, Albany Center Gallery,  NY
2023 Cause We Be Complicated, A.D.S Gallery & Ann Street Gallery, Newburgh, NY
2022 Political Storm, Las Lagunas Gallery, Laguna Beach, California
2021 Black Renaissance Exhibit, Anne Street Gallery, Newburgh, NY
2021 Tell Me A Story, Emerge Gallery, Saugerties, NY
2015 It’s Bigger Than Hip-Hop, Rush Arts Gallery, Chelsea, NY
2013 Black Beans Liquid Gold, Galerie R31, Berlin, Germany
2009 Whimsey, Windham Fine Arts, Windham, NY
2009 Affordable Art Fair, N.Y.C., NY
2008 Pennsylvania College of Technology, Williamsport, PA (solo show)

Publications
2022    Raheim Wilson, “Role With Rah – Tales of an Underground Driver: Volume I”
2007    David Knight and Hugh Willmott, “Organizational Behavior and Management”, Thomson Learning, London, 2007 (pg. 24)
2004    Pool Art Fair Catalogue, New York, NY p.111
2001    Bashir, Samiya A. (Editor), Medina, Tony (Editor), Lansana, Quraysh Ali (Editor), ” Role Call: A Generational Anthology of Social & Political Black Art & Literature.”  (pgs. 161, 205, 500)

Bibliography
2023    Carl Van Brunt, “Cause We Be Complicated: Dialogues of Black Artists”, Chronogram
2003    “Art Show in L.B.I.”, Philadelphia Inquirer, Friday, May 23
2003    Fertig, Kathi Scholtz, “Unsentimental Across the Bridge Exhibit”, The Beachcomber v.54 n.6 May 23 (p.12)
2002    Stone, Amon Marjorie. “Ad Hoc Show Reheats Melting Pot”, The Beachcomber v.53 n.8 July 12 (p.12)
2002    Savadove, Larry, “Artists Give ‘The Grand Old Flag’ New looks At Silvestre Galleries”, The Sand Paper v. 28 no. 26, July 3 (p.38)
2002    Lane, Dakota, “The Bare Truth”, Kingston Times Almanac Weekly January 31st (p.5)
1999    Landi, Anne, “Immediacies of the Hand”, Art News v.98, n.7 May (p. 154)
1999    Cotter, Holland. “Immediacies of the Hand”, New York Times: Art and Review, April 9

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